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Handwritten notes from Richard Cándida Smith

Issue 11

Since their inception, and throughout the years of fine-tuning that followed their official launch in 2012, the central tenet of the VoCA Artist Interview Workshops has been that successful interviewing requires listening, mutual exchange of differences between interviewer and narrator, more listening, more exchange, leading to a gradual deepening of understanding as researcher and narrator jointly reflect on questions and problems vital to both.

Editor's Note
A photograph of a person floating on a raft in front of the Hong Kong skyline

Embracing and managing the possible future changes of Kacey Wong’s Paddling Home

Alessandra Guarascio

Photograph of a stack of booklets by Michael Khuth and Lumi Tan

Pedagogy as Practice

Daniel Atkinson

A photograph of Jessica Scott’s art installations in a gallery

The Interview as Performance

Jessica Scott

Headshot of a woman wearing headphones made from conch shells.

To Clutch and Hold the Sky
A Conservator’s Reflection on Artist Interviews

Caroline Gil

A photograph of a schedule written on fabric.

Holding Space
Building Living Archives through Relational Curating

Whitney Mashburn

Two men having a conversation in the middle of two large abstract paintings.

No Artist Is an Island
Oral History and the Relational Archive

Daniel Belasco

Screenshot of BAWALP on Zoom

Bringing the Remote Artist Interview Home
The Bay Area Women Artists' Legacy Project

Jan Wurm

Handwritten notes from Richard Cándida Smith

Editor’s Note

Main image:
Handwritten notes from Richard Cándida Smith

Image description:
A piece of white note paper with a light teal stripe running down the left hand side. The paper is covered in loose handwritten notes made with red and black ballpoint pen; for the notes in the left column, the ink is red, and on the right, the ink is black.

Copyright 2023 VoCA Journal.

ISSN 2574-0288

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